b Feb. 15, 1817, Paris, France d.Feb. 19, 1878, Paris French 78, French landscape painter. He went to Italy early in life and later studied in Paris with Paul Delaroche. Although usually classed with the Barbizon school, he never lived in Barbizon. His last 30 years were spent largely in his houseboat on the Seine and the Oise, and he is best known for his pictures of the banks of those rivers. He was particularly successful in his atmospheric depiction of dawn, twilight, and moonlight. His later pictures are handled with great breadth. Monet and Boudin were especially attentive to his work. Daubigny is well represented in the Louvre, the Mesdag Museum (The Hague), the National Gallery (London), and the Metropolitan Museum. Characteristic are his Return of the Flock??Moonlight, Banks of the Oise, and Moonlight. His son Karl Pierre Daubigny, 1846?C86, painted in his father manner.   Related Paintings of Charles Francois Daubigny :. | Banks of the Oise | Landscape | Apple Trees in Blossom | Poppy Field | The Banks of the Oise |
Related Artists:
Francken, Frans II
b. 1581, Antwerpen, d. 1642, Antwerpen Painter, son of Frans Francken I. Of all the members of the Francken family, Frans II is the most important and still the most widely known. There are paintings by him in all large public collections in Europe. Besides altarpieces and painted furniture panels, he produced mainly small cabinet pictures with historical, mythological or allegorical themes. Frans II's rank as an artist is not so much derived from his extensive output as from his innovative subject-matter: his depictions of luxuriously decorated Kunstkammern and art galleries
Ostade, Adriaen van
Dutch Baroque Era Painter, 1610-1685 Painter, draughtsman and etcher. According to Houbraken's rather unreliable biography, he was a pupil concurrently with Adriaen Brouwer of Frans Hals in Haarlem. Hals influenced him very little, whereas Brouwer, who was described as 'known far and wide' as early as 1627, had a decisive influence on the evolution of Adriaen van Ostade's always idiosyncratic portrayal of peasant life. The first documentary mention of Adriaen van Ostade as a painter is in 1632 (Schnackenburg, 1970). Most of his paintings are signed and dated, the earliest firmly dated example being the Peasants Playing Cards (1633; St Petersburg, Hermitage).
School of Fontainebleau
ca 1550